Thomas Ashdown, managing director of Citylets, discusses the latest trends in the Scottish rental market.
Duration : 0:1:40
Archive
Category: Rent flat Glasgow
Century21 are delighted to present to the rental market this delightful meid terraced viila. Finished to a high standard throughout with bright nuetral modern decor.
Offered on an unfurnished basis the property comprises; entrance hallway with storage, spacious lounge with large window formation and stunning varnished flooring, kitchen (white goods included), bathroom with modern white 3-piece suite and 3 large bedrooms. Gardens to front and back with slabbed patio area to rear and shed for storage.
The property is located within the popular Charleston area of Paisley which is within easy reach of all local amenities, schools and transport links.
Handy for M8 motorway links, Glasgow Airport, Paisley University and Royal Alexandra Hospital.
To arrange a viewing or request additional information please contact;
Century21
0141 849 1321
paisley@century21uk.com
Duration : 0:1:47
We are delighted to offer this unique opportunity for anyone looking to get on the property ladder but struggling to qualify for a mortgage. This rarely available, stunning two bed period flat in Ryefield House, Dalry, North Ayrshire is available on a rent to buy basis. What this simply means is for between 2 to 5 percent down, you can move into the property today! In addition you are introduced to an Independent Financial Advisor for FREE to provide guidance for the duration of the lease on how to improve your chances to qualify for a mortgage within 2 to 3 years. Incentives include:
- Early purchase discount: buy before the option term comes to an end and receive a discount
- Low entry payment: only a 2 to 5% deposit depending on monthly payments
- Fixed price today: no need to worry about house price inflation
- Long lease: allowing you to sort out your finances and benefit from rising property prices
- No refurbishment: property is in immaculate condition so you can move right in
The flat is within a fabulous period conversion listed building, which is located on extensive private grounds. The property has its own private entry from the rear whilst entry can also be gained through the welcoming communal hallway. With a 26 foot by 17 foot lounge this property provides exceptional living space in addition benefiting from superb features including 2 sash bay windows, fireplace and parquet flooring.
This rent to own opportunity is perfect for anyone in the following situations:
- You are saving to buy, but keep getting left behind with house price inflation
- You have poor credit and are unable to qualify for a mortgage and need some time to rebuild your credit
- You have recently arrived in the UK and therefore have not built up a credit rating
- You have recently divorced and want to start afresh
- Or have been made bankrupt within the last 6 years
The advantage of locking in the price and benefitting from any upside in the property value over the duration of your lease could put you streets ahead of other tenants who are just on a standard tenancy agreement. If you are already renting and not getting a benefit, this opportunity will be perfect for you.
If you are interested give me a call on the number below or email me. For further information about rent to own and lease options and how they can benefit you the tenant visit www.tenant2owner.co.uk and download the FREE Rent To Own Guide.
If you know someone who might like this property or benefit from Rent to Own, why not refer them and receive £250! Visit www.tenant2owner.co.uk/referrals.html for further information.
Duration : 0:4:5
One bedroom top floor flat – unfurnished. Comprising reception hallway, large double bedroom, kitchen bathroom and lounge. Excellent location for all the amenities, shops, parks and attractions with convenient transport links to Glasgow City Centre, Glasgow Airport, Braehead, Pheonix and Silverburn Shopping Centres.
To arrange a viewing or request additional information please contact
0141 849 1321 or email paisley@century21uk.com
Duration : 0:0:53
More @ http://www.myhotelvideo.com/en/landingpage/youtube/resourceid/Mhv_Catalog_Offer::10756
Location:
This attractive city hotel is situated directly in the centre. Guests will find a variety of restaurants, bars, pubs and nightclubs within the immediate vicinity. Convenient public transport links may be found a mere 50 m from the hotel.
Facilities:
Built in 1872 and renovated in 2002, the hotel consists of a 4 storey main building with a total of 116 rooms of which 4 are singles and 14 are suites. The hotel offers a lobby with a 24-hour reception, a safe, a lift and a café. Guests are also offered a bar and an air-conditioned à la carte restaurant with a separate non-smoking area. In addition, the hotel offers use of a public Internet terminal. Guests may park their cars in the nearby car park. Room and laundry services are also available.
Rooms:
The elegant rooms come with an en suite bathroom, a hairdryer, direct dial telephone, satellite/ cable TV, radio, Internet access, double bed, tiling, carpeting, central heating and a safe.
Sports/Entertainment:
The hotel features a recently built beauty salon, where guests are offered a range of treatments.
Meals:
A breakfast buffet is available every morning. At lunchtime and in the evenings dishes may be ordered from a set menu or from the à la carte selection. In addition, the hotel also caters for guests with special dietary requirements.
Payment:
American Express, Diners Club, MasterCard and VISA are all accepted.
Misc.:
There is an NCP car park close to the hotel (where a car rental service is available). Ask at reception for special offers to hotel guests.
Duration : 0:0:40
More @ http://www.myhotelvideo.com/en/landingpage/youtube/resourceid/Mhv_Catalog_Offer::10756
Location:
This attractive city hotel is situated directly in the centre. Guests will find a variety of restaurants, bars, pubs and nightclubs within the immediate vicinity. Convenient public transport links may be found a mere 50 m from the hotel.
Facilities:
Built in 1872 and renovated in 2002, the hotel consists of a 4 storey main building with a total of 116 rooms of which 4 are singles and 14 are suites. The hotel offers a lobby with a 24-hour reception, a safe, a lift and a café. Guests are also offered a bar and an air-conditioned à la carte restaurant with a separate non-smoking area. In addition, the hotel offers use of a public Internet terminal. Guests may park their cars in the nearby car park. Room and laundry services are also available.
Rooms:
The elegant rooms come with an en suite bathroom, a hairdryer, direct dial telephone, satellite/ cable TV, radio, Internet access, double bed, tiling, carpeting, central heating and a safe.
Sports/Entertainment:
The hotel features a recently built beauty salon, where guests are offered a range of treatments.
Meals:
A breakfast buffet is available every morning. At lunchtime and in the evenings dishes may be ordered from a set menu or from the à la carte selection. In addition, the hotel also caters for guests with special dietary requirements.
Payment:
American Express, Diners Club, MasterCard and VISA are all accepted.
Misc.:
There is an NCP car park close to the hotel (where a car rental service is available). Ask at reception for special offers to hotel guests.
Duration : 0:0:40
Flat to rent in Glasgow
John Atkinson Grimshaw (6 September 1836 13 October 1893) was a Victorian-era artist, a “remarkable and imaginative painter” known for his city scenes and landscapes
His early paintings were signed “JAG,” “J. A. Grimshaw,” or “John Atkinson Grimshaw,” though he finally settled on “Atkinson Grimshaw.”
He was born 6 September 1836 in Leeds. In 1856 he married his cousin Frances Hubbard (1835-1917). In 1861, at the age of 24, to the dismay of his parents, he departed from his first job as a clerk for the Great Northern Railway to pursue a career in art. He began exhibiting in 1862, under the patronage of the Leeds Philosophical and Literary Society, with paintings mainly of birds, fruit, and blossoms. He became particularly successful in the 1870s and was able to afford to rent a second home in Scarborough, which also became a favourite subject.
Grimshaw’s primary influence was the Pre-Raphaelites. True to the Pre-Raphaelite style, he put forth landscapes of accurate color and lighting, and vivid detail. He often painted landscapes that typified seasons or a type of weather; city and suburban street scenes and moonlit views of the docks in London, Leeds, Liverpool, and Glasgow also figured largely in his art. By applying his skill in lighting effects, and unusually careful attention to detail, he was often capable of intricately describing a scene, while strongly conveying its mood. His “paintings of dampened gas-lit streets and misty waterfronts conveyed an eerie warmth as well as alienation in the urban scene.”
Dulce Domum (1855), on whose reverse Grimshaw wrote, “mostly painted under great difficulties,” captures the music portrayed in the piano player, entices the eye to meander through the richly decorated room, and to consider the still and silent young lady who is meanwhile listening. Grimshaw painted more interior scenes, especially in the 1870s, when he worked until the influence of James Tissot and the Aesthetic Movement.
On Hampstead Hill is considered one of Grimshaw’s finest, exemplifying his skill with a variety of light sources, in capturing the mood of the passing of twilight into the onset of night. In his later career this use of twilight, and urban scenes under yellow light were highly popular, especially with his middle-class patrons.
His later work included imagined scenes from the Greek and Roman empires, and he also painted literary subjects from Longfellow and Tennyson — pictures including Elaine and The Lady of Shalott. (Grimshaw named all of his children after characters in Tennyson’s poems.)
In the 1880s, Grimshaw maintained a London studio in Chelsea, not far from the comparable facility of James Abbott McNeill Whistler. After visiting Grimshaw, Whistler remarked that “I considered myself the inventor of Nocturnes until I saw Grimmy’s moonlit pictures.” Unlike Whistler’s Impressionistic night scenes, however, Grimshaw worked in a realistic vein: “sharply focused, almost photographic,” his pictures innovated in applying the tradition of rural moonlight images to the Victorian city, recording “the rain and mist, the puddles and smoky fog of late Victorian industrial England with great poetry.”
Shipping on the Clyde, 1881Grimshaw´s paintings depicted the modern world but managed to escape the depressing, dirty reality of industrial towns. Shipping on the Clyde for instance, a depiction of Glasgow’s Victorian docks, is a lyrically beautiful evocation of the industrial era. Grimshaw transcribed the fog and mist so accurately as to capture the chill in the damp air, and the moisture penetrating the heavy clothes of the few figures awake in the misty early morning.
Some artists of Grimshaw’s period, both famous and obscure, generated rich documentary records; Vincent Van Gogh and James Smetham are good examples. Others, like Edward Pritchett, left nothing. Grimshaw left behind him no letters, journals, or papers; scholars and critics have little material on which to base their understanding of his life and career.
Grimshaw died 13 October 1893, and is buried in Woodhouse cemetery, Leeds. His reputation rested, and his legacy is probably based on, his townscapes. The second half of the twentieth century saw a major revival of interest in Grimshaw’s work, with several important exhibits of his canon.
Duration : 0:8:16
John Atkinson Grimshaw (6 September 1836 13 October 1893) was a Victorian-era artist, a “remarkable and imaginative painter” known for his city scenes and landscapes
His early paintings were signed “JAG,” “J. A. Grimshaw,” or “John Atkinson Grimshaw,” though he finally settled on “Atkinson Grimshaw.”
He was born 6 September 1836 in Leeds. In 1856 he married his cousin Frances Hubbard (1835-1917). In 1861, at the age of 24, to the dismay of his parents, he departed from his first job as a clerk for the Great Northern Railway to pursue a career in art. He began exhibiting in 1862, under the patronage of the Leeds Philosophical and Literary Society, with paintings mainly of birds, fruit, and blossoms. He became particularly successful in the 1870s and was able to afford to rent a second home in Scarborough, which also became a favourite subject.
Grimshaw’s primary influence was the Pre-Raphaelites. True to the Pre-Raphaelite style, he put forth landscapes of accurate color and lighting, and vivid detail. He often painted landscapes that typified seasons or a type of weather; city and suburban street scenes and moonlit views of the docks in London, Leeds, Liverpool, and Glasgow also figured largely in his art. By applying his skill in lighting effects, and unusually careful attention to detail, he was often capable of intricately describing a scene, while strongly conveying its mood. His “paintings of dampened gas-lit streets and misty waterfronts conveyed an eerie warmth as well as alienation in the urban scene.”
Dulce Domum (1855), on whose reverse Grimshaw wrote, “mostly painted under great difficulties,” captures the music portrayed in the piano player, entices the eye to meander through the richly decorated room, and to consider the still and silent young lady who is meanwhile listening. Grimshaw painted more interior scenes, especially in the 1870s, when he worked until the influence of James Tissot and the Aesthetic Movement.
On Hampstead Hill is considered one of Grimshaw’s finest, exemplifying his skill with a variety of light sources, in capturing the mood of the passing of twilight into the onset of night. In his later career this use of twilight, and urban scenes under yellow light were highly popular, especially with his middle-class patrons.
His later work included imagined scenes from the Greek and Roman empires, and he also painted literary subjects from Longfellow and Tennyson — pictures including Elaine and The Lady of Shalott. (Grimshaw named all of his children after characters in Tennyson’s poems.)
In the 1880s, Grimshaw maintained a London studio in Chelsea, not far from the comparable facility of James Abbott McNeill Whistler. After visiting Grimshaw, Whistler remarked that “I considered myself the inventor of Nocturnes until I saw Grimmy’s moonlit pictures.” Unlike Whistler’s Impressionistic night scenes, however, Grimshaw worked in a realistic vein: “sharply focused, almost photographic,” his pictures innovated in applying the tradition of rural moonlight images to the Victorian city, recording “the rain and mist, the puddles and smoky fog of late Victorian industrial England with great poetry.”
Shipping on the Clyde, 1881Grimshaw´s paintings depicted the modern world but managed to escape the depressing, dirty reality of industrial towns. Shipping on the Clyde for instance, a depiction of Glasgow’s Victorian docks, is a lyrically beautiful evocation of the industrial era. Grimshaw transcribed the fog and mist so accurately as to capture the chill in the damp air, and the moisture penetrating the heavy clothes of the few figures awake in the misty early morning.
Some artists of Grimshaw’s period, both famous and obscure, generated rich documentary records; Vincent Van Gogh and James Smetham are good examples. Others, like Edward Pritchett, left nothing. Grimshaw left behind him no letters, journals, or papers; scholars and critics have little material on which to base their understanding of his life and career.
Grimshaw died 13 October 1893, and is buried in Woodhouse cemetery, Leeds. His reputation rested, and his legacy is probably based on, his townscapes. The second half of the twentieth century saw a major revival of interest in Grimshaw’s work, with several important exhibits of his canon.
Duration : 0:8:16